The work manifests an attempt to clear the reality from false meanings and to return oneself to the starting point within. Ice covering the anthropomorphic ceramic sculpture symbolises the outer burden. As it melts gradually, it releases the object in its true form.
The two-level nature of the work highlights the duality of attitude towards women in the era of consumption - there is a gap between expectations of the modern world and her earthly, bodily nature, her blood and milk. The connection with the earth is deliberately lost and destroyed as a dangerous sorcery.
The two-level nature of the work highlights the duality of attitude towards women in the era of consumption - there is a gap between expectations of the modern world and her earthly, bodily nature, her blood and milk. The connection with the earth is deliberately lost and destroyed as a dangerous sorcery.
I will never leave you
Ceramics, ice, colourant
2021
Inspiration for this work was winter as a nature's manifestation of piercing slowness.
External calm, which does not ask of anything and does not expect anything back. A quiet space in the present.
Nothing is struggling with deceleration, all the living obeys to it. Everything continues to live and breathe. But very slowly.
Because of this shrillness, I want to be honest to myself and just observe in the present moment - nature’s state, my state.
External calm, which does not ask of anything and does not expect anything back. A quiet space in the present.
Nothing is struggling with deceleration, all the living obeys to it. Everything continues to live and breathe. But very slowly.
Because of this shrillness, I want to be honest to myself and just observe in the present moment - nature’s state, my state.
Present Conscious/
Conscious Present
Conscious Present
Ceramic objects
15*10*10
2021
15*10*10
2021
A technically calculated and meticulously planned installation is at the mercy of the unpredictable wind. It comes to life only through the movement of the wind, creating both cyclical and chaotic motion.
The wall’s space is strictly defined, yet each spinner moves freely in its own way, experiencing its own unique journey. At the same time, it remains fixed in place, nailed to the wall—highlighting the contrast between the real and the imagined worlds.
Paper windmills evoke a sense of childlike naivety and faith in a brighter world. They also symbolize futile struggles against imaginary forces, much like Don Quixote tilting at windmills, mistaking them for giants that must be fought.
The installation constructs space, planes, lines, and movement to create a system of new relationships with the real world—just as we strive to navigate reality within the ever-shifting flow of time.
The wall’s space is strictly defined, yet each spinner moves freely in its own way, experiencing its own unique journey. At the same time, it remains fixed in place, nailed to the wall—highlighting the contrast between the real and the imagined worlds.
Paper windmills evoke a sense of childlike naivety and faith in a brighter world. They also symbolize futile struggles against imaginary forces, much like Don Quixote tilting at windmills, mistaking them for giants that must be fought.
The installation constructs space, planes, lines, and movement to create a system of new relationships with the real world—just as we strive to navigate reality within the ever-shifting flow of time.
East Wind
Installation
2022
2022